My practice considers self-actualization amidst American economic inequality through sculptural assemblage and the labor of glass and ceramic craft. Building a relationship of respect, growth, and love with my mediums is an inherently political act. Making stands in opposition to the fallacy of meritocracy and the emptiness of promises passed through generations. Craft is my fuel against the failures of the systems we live in, which is complicated by forced reliance. I think about the impact of the American dream on the middle class and the sentiments of being left behind, devalued, and powerless. Hard work, dedication, and love–cornerstones of American idealism–are centralized in my practice through adherence to craft processes.
I work with natural and domestic found objects such as leaves, sticks, wood, furniture, and light bulbs, often putting them in conversation with traditionally made vessels. These pairings create objects that encourage speculation and slower looking. I am invested in what we cling to, whether it is object, belief, or process. The forms I work with are inspired by living with mess, soreness, and imperfection, with precise handling of material becoming a reclamation of beauty and control. Fluid, unpredictable lines move in and out of rigid symmetry and the functionality of familiar objects is subverted. This formal imagery evokes our reliance on balance, support, and the need to fit in. These themes extend to personal life, constructing a framework that values honesty, community, and an openness to others.
© 2026 Alison Kraniske. All images courtesy of the artist unless otherwise noted.